General Rating: Do you like quirky? Read this. I had to find out what the fuss over this book was. I mean it’s everywhere, right? Like with many books, I wasn’t enamored by the first few chapters despite Krause’s writing being quick, clever, and fabulous. But hold on! Do not put this one down. I ended up loving it!
Skip factor: 0% I skipped nothing. Krause’s short, crisp writing with lots of dialogue, kept me from skipping anything at all.
Who should read: For the first time in a review, I’m not sure who to suggest should read this novel. My guess is if you like frivolous, quirky characters, good writing, and different plots, you’ll like this. That’s as good as my guess gets today.
Summary: This is the story of three very different women and their nerdy landlord. Upfront, there appear to be ghosts in the attic of the three-unit old-home-converted-to-apartment building they share. Each of the women, along with Landlord Larry, have a past dilemma haunting them (ha-ha) that they must come to terms with.
Nineteen-year-old Mackenzie can’t forgive herself for a lie she told at thirteen. Middle-aged Sunna, a beauty, can’t forgive a friend—a more beautiful, successful friend—for ghosting her. And the totally friendless senior character, Maude, can’t get along with anyone because some man, Richard, left her at the alter, or rather, in the park in a wedding gown.
When a note in the mailbox, “Sorry I missed You” is found all but ripped to shreds, the three attempt to decipher who it was meant for. The only message they can decrypt, however, is someone will meet someone at a local coffee shop on some afternoon. Because of their haunting pasts, each of the women believe the letter was meant for them, and they begin meeting at the coffee shop every day, which results in a rather forced friendship. When the building they live in presents ghosts of its own—real ghosts—they begin to rely heavily on each other.
Without a spoiler, the plot is simple, but by the time a reader realizes this, they’ve got too much invested in these women. By halfway through the book I couldn’t put it down because I LOVED all three of them along with landlord Larry.
Characters: Krause’s characters are so different you’ll thrive on their interactions. I am honestly unsure which character I liked the most. Very seldom do I begin a book not liking any characters and end up loving all of them, equally. This is a first, so here are the characters in no particular order:
Sunna is a beauty but has been stifled by her ex-friend Britt, a bigger beauty. Sunna has no patience, is curt, and when she becomes acquainted with the older lady in her apartment building, Maude, she realizes she is on a path to become alone and friendless like Maude.
Mackenzie is the youngest and nicest tenant, who at times you believe might be a murderer. Yet you love her anyway for her compassion.
Maude is the old lady you love to hate. She’s bitter, annoyed, whiny, and honest to a fault. You can’t help but wish you had a little bit of her bluntness.
Landlord Larry is a forty-year-old punker, who practically has nerd tattooed on his forehead. His thoughts are so entertaining they add humor to his already peculiar, humorous life.
Minor characters – Not many. Richard, Maude’s ex, shows up but the reader judges him purely from Maude, Sunna, and Mackenzie’s thrashing of him. A few other characters pop in for a line or two, but Krause keeps out the unimportant.
Storyline: Strange, weird, silly, yet insightful. There are a few questions I have about the plot for Mackenzie and Sunna which make me want to go back and reread it. (Plus I love Krause’s writing style.) And not to ruin the tale, the way Krause winds up the ghosts in the attic is different even for me, an occasional paranormal writer, but unique as is the entire story. Everything is so cleverly written you can’t put it down. Her writing is superb. I enjoyed the characters’ internal struggles wrap up, and I must figure out how Krause got me from not liking to loving her characters.
Writing: In Sorry I Missed You, Krause masters writing style, technique, word usage, and character development.
Like most novels, the story begins slowly. Beginnings are tough for writers. We juggle the boredom of the backstory with opening sensationalism. Recently lambasted on Amazon about the beginning of one of my own novels, I’ve done some front-end soul-searching. Did I love the beginning of my own book? No. I didn’t blame my reviewer. My first chapter was okay. Second and third, eh. Fourth, I didn’t like. Then from five on out, I was pretty proud.
Sorry I Missed You re-sparked a flicker of confidence in me. I realized beginnings are tough for most writers—even fabulous ones like Krause.
I walked through her first chapters. However, by forty percent in, I was back in my happy place, speeding along, comfortably curled up on the couch wondering how much reading I could get in before I started feeling guilty about my real-world chores.
If you love great writing and characters, you’ll love this like me.
Read this author again? Yes. I loved Krause’s writing. I’m not a fan of wordy and Krause isn’t. She writes clean and crisp. Her character development is as good as any writer’s and better than most. I’m anxious to read her again.
CJ Zahner is the author of The Suicide Gene, a psychological thriller, Dream Wide Awake, and Project Dream, two thrillers that carry a sixth-sense paranormal element, and Friends Who Move Couches, women’s fiction. These last two novels were inspired by Zahner’s own experiences. See the video of her own paranormal experience, a premonition of 9/11 here. Download her Beyond Reality Radio podcast here. Follow her on Instagram, Twitter, Facebook, Goodreads, BookBub, or LinkedIn. Purchase her books on Amazon.